By Eddy Montilla.
Directed by: Quentin Tarantino.
Written by: Quentin Tarantino.
MPAA Rating: R (contain some adult material. Parents are urged to learn more about the film before taking their young children with them).
Starring: Samuel L. Jackson (Major Marquis Warren), Kurt Russell (John Ruth), Jennifer Jason Leigh (Daisy Domergue) and Walton Goggings (Sheriff Chris Mannix).
Running Time: 167 minutes.
A movie can rarely escape from the prevailing trend of the time it belongs to, and today’s trend seems to be fantasy, action and the use of special effects, the application of computer graphics, like CGI (computer-generated imagery), etc. However, any trend, under any circumstances, gives a movie director green light to break one of the most basic and inviolable rules in the movie world: Films must always be directed according to its plot. The remake The Legend of Tarzan (2016) breaks so many times this rule that those who saw the real movie have the right to ask if they had to wait 110 minutes to leave the cinema.
Tarzan (Alexander Skarsgård) was a baby raised by apes in the heart of the jungle. This very simple, but fascinating idea is the only base of the original film. A simple, pure and human story, quite different from The Legend of Tarzan (2016) in which, because of the computer-generated imagery in the movie, Tarzan looked like another superhero, a Paleolithic version of Batman or Superman, battling alone against dozens of extraterrestrial-looking men.
The first 30 minutes of this movie were interesting: Tarzan and Jane (Margot Robbie) going back to Congo where they met many years ago for a diplomatic mission, Tarzan trying to reconnect with his roots, etc. are worth seeing. The rest is a canned cliché created according to the film world´s business parameters. If Samuel Jackson (George Washington) had not been there to give the movie some doses of hilarious moments, I think that even Tarzan would have given his negative verdict by adding some words to his classic cry: “Nooooooo mooooore!”
This article was originally published in the digital newspaper World And Opinion with Eddy Montilla.
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